Visceral Histories, Visual Arguments research project wrap up
As my work on project Visceral Histories, Visual Arguments draws to a close, I reflect on the process behind creating immersive movement data visualisations in a dance history context ...
As my work on project Visceral Histories, Visual Arguments draws to a close, I reflect on the process behind creating immersive movement data visualisations in a dance history context ...
Great night at the Gazelli Art House for the GAZELL.iO meetup #2, featuring talks and artworks by myself and other residency artists. Presenting a new glitch version of my residency work Affective Delineation Series...
Over the past 2 years I have been working as creative technologist on research project Visceral Histories, Visual Arguments at the Royal Central School of Speech and Drama, London. We recently showed an immersive work in progress of our movement data visualisations for the 9th edition of the Movement and Computing conference (MOCO) this year in Utrecht...
To celebrate the launch of book I have recently contributed to: Robotic Vision and Virtual Interfacings: Seeing, Sensing, Shaping. I spent an evening at the Science Museum showing work Sentient Flux, by myself and Alexandra Adderley back in 2015, the focus of my chapter Embodiment and the Perception of Nonhuman Sentience in Virtual Reality Interactive Art alongside other contributors presentations and demonstrations...